← more from
Realicide Rex
We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.
/

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $0.50 USD  or more

     

  • Buy the Full Digital Album

  • Compact Disc (CD) + Digital Album

    Includes unlimited streaming of Resisting The Viral Self LP/CD (2007-2009) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days

      $7 USD or more 

     

about

Robert Inhuman, about "Kill The Soundman"

The idea here is kind of a running joke with Realicide. We almost always have terrible problems working with soundguys at venues, leading to the preference of bringing our own PA gear (as much as we can afford during any given time and will fit in a car) instead. The soundcheck always goes fine, but during the show they always turn us down. There have been a few occasions in which nothing is coming out of the venue's system whatsoever, just our own beat up overblown cabs. If the sound being ruined isn't bad enough, these guys are often being paid a flat rate while we are paid whatever is left over from the admissions money. So I'm talking about situations in which we're paying a guy the money that would go towards our travel costs, against our will, to fuck up the sound or not even allow us to run through the equipment he's being paid to operate. Fucking idiotic every time; I don't care if they have training or not! And what is up with places that have these huge raver sound systems but can't even get a fucking vocal mic to turn on? When we were traveling with our friend BIRTH, whose setup is one loop pedal and a vocal mic, and the MIX wasn't coming out right, you've gotta wonder how it can go wrong! It's gotta be either lazy, inept, or malicious, don't you think?

lyrics

I am about to kill the sound man
'don't touch that dial we'll be right back after this'
what the fuck are we paying you for?!
so again you wanna rob me - try robbing your own fucking body from the hospital

credits

from Resisting The Viral Self LP​/​CD (2007​-​2009), released March 29, 2009
Ryan Faris: hardware electronics.
Robert Inhuman: words, voice.

license

tags

If you like REALICIDE, you may also like:

Bandcamp Daily  your guide to the world of Bandcamp

On Bandcamp Radio

Beans joins the show to discuss his album release, "ZWAARD".

listen now